When did barney come out1/31/2024 With a target age range of 2 to 4, the focus is on vocabulary, colors, shapes, numbers and the ABCs such social skills as sharing, caring and playing together and movement, “where a lot of the music comes in,” Barnes says. Tenets of child development frame the show, she stresses. It’s about the simple things that a child appreciates at that age.” “He’s a gentle soul, he’s very uncomplicated. The key to Barney’s longevity is no mystery, Barnes says. (This year, the episodes returned to a 30-minute format.) It ushered in a new character, a music-loving hadrosaur named Riff, and a shorter format with interstitial bridges between two 12-minute episodes. and an expanded world that includes a park set and video footage of children in various locales.Ī new music curriculum added multicultural emphasis to the show in 2006. In 2002, HIT Entertainment bought Barney’s producing company, Lyrick Studios, for $275 million.Īlong the way, in addition to older “real” kids who appear on the show as role models for younger viewers, Barney acquired dino-kid sidekicks Baby Bop and B.J. From 1996 to 1998, Barney ranked as Billboard’s top children’s artist. The show landed at PBS in 1992, and its rotund star scored a seven-figure deal with EMI Records Group in 1993. They can watch something several times and then they can do it.”Ĭreated in 1987 by former teacher Sheryl Leach, “Barney & Friends” took off on home video the following year. Yes, the songs are simple and repeated “a lot,” Barnes patiently explains, “because kids feel a sense of accomplishment at that age. Musically, the repetitive ditties that Barney sings seem, well, positively prehistoric to many, compared to an expanding roster of adult-friendly “kindie” artists that include highly regarded former Del Fuegos rocker Dan Zanes and pop tune purveyors Kidz Bop, which cracked Billboard’s top 10 album list in February. He’s now one preschool heavyweight among many, competing with “Sesame Street,” “Blue’s Clues,” “Dora the Explorer,” “Teletubbies,” “Bob the Builder” and “Thomas the Tank Engine,” to name just a handful. It’s been a long time, though, since Barney, who transforms in each episode from a stuffed toy into his big, pillowy self, was the hot thing in children’s entertainment. Indeed, the rights to Barney’s home videos, which have sold in the tens of millions, were snapped up from London-based owner HIT Entertainment this week by independent film distributor Lionsgate, along with other high-profile HIT children’s shows for distribution in the U.S.
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